剧情介绍
传统的福建人重家庭、重家族，是一批海洋观念深厚的人群。
近年来，他们却纷纷背井离乡，如潮水般涌向海外。一方面他们中一些人去了国外不回来了，另一方面内地来的打工者又源源不断地奔赴这些沿海地区,衍生出一些乱象。
年轻人追求享乐如飞蛾扑火，中年人“找生活”也不甘示弱。
酒醒时分，能否再续昨夜的醉梦？
这是一部自由的电影，荒诞而真切，恬静而迷狂，那些宿醉后的悲伤，那些追寻后的虚妄, 从城市到乡村，从陆地到海岛,杂糅成一幅当今福建沿海地区的风情画. In the wake of China's open-door policy in the early 1980's, Fujian was one of the first Chinese coastal provinces to be opened to the outside world. Many of the male residents opted to go abroad for work, leaving behind their wives and families. Two decades later, Fujian is a microcosm of Chinese modernity: there are palatial suburbs populated by lonely "remittance widows"; neon-lit discotheques frequented by karaoke kids; coastal villages inhabited by impoverished fishermen and city centers dominated by gangs, snakeheads and language schools acting as fronts for organized human trafficking. The Neon Knights-Amerika, Roppongi and their friends, so nicknamed because of the places their emigrÄ- fathers live-use their imported digital video-cameras to film wealthy remittance widows in trysts with their local lovers. They then proceed to blackmail the women, and use the proceeds to finance a night-life of drink, drugs, girls and karaoke. Amerika is the mastermind of the scheme, Roppongi ...
近年来，他们却纷纷背井离乡，如潮水般涌向海外。一方面他们中一些人去了国外不回来了，另一方面内地来的打工者又源源不断地奔赴这些沿海地区,衍生出一些乱象。
年轻人追求享乐如飞蛾扑火，中年人“找生活”也不甘示弱。
酒醒时分，能否再续昨夜的醉梦？
这是一部自由的电影，荒诞而真切，恬静而迷狂，那些宿醉后的悲伤，那些追寻后的虚妄, 从城市到乡村，从陆地到海岛,杂糅成一幅当今福建沿海地区的风情画. In the wake of China's open-door policy in the early 1980's, Fujian was one of the first Chinese coastal provinces to be opened to the outside world. Many of the male residents opted to go abroad for work, leaving behind their wives and families. Two decades later, Fujian is a microcosm of Chinese modernity: there are palatial suburbs populated by lonely "remittance widows"; neon-lit discotheques frequented by karaoke kids; coastal villages inhabited by impoverished fishermen and city centers dominated by gangs, snakeheads and language schools acting as fronts for organized human trafficking. The Neon Knights-Amerika, Roppongi and their friends, so nicknamed because of the places their emigrÄ- fathers live-use their imported digital video-cameras to film wealthy remittance widows in trysts with their local lovers. They then proceed to blackmail the women, and use the proceeds to finance a night-life of drink, drugs, girls and karaoke. Amerika is the mastermind of the scheme, Roppongi ...
这样一个关于在偷渡泛滥地区一群年轻人的故事 虽然少了东欧类似题材电影的冷峻和深刻 但是由于文化同源 看起来还是更亲切 更唏嘘 总出现类似于“在此偷渡死路一条”的触目惊心的标语 这样空洞的标语在这样一些地区作用微乎其微 无论是迫于生活还是追求物质 这些人都义无反顾地选择跨过风高浪险的鬼门关
抄《风柜来的人》抄得很爽吧 with Anana
剪辑 曾剑
一段阿巴斯，一段杨德昌，还有一段是侯孝贤，混搭着中国十八线城镇，质感独特。而任意拼贴的剪辑，正是导演本身就主题而混沌不知何解。
福清话真的听不懂， 较遗憾是片中主人公们普通话都标准得不真实，也不好听。后四分之一着墨点全在于情绪， 想来《鬼佬》可配作此片续集， 从而绘制出一幅偷渡客根与足迹的全貌。 片中福清市中心的取景颇多， 煞是亲切；而日耀下清凉薄荷般轻摇的大海犹如照片中一样的美， 是我下一站的目的地。
http://v.youku.com/v_show/id_XMjA5Njg5MTI0.html
在山的那边海的那边有一群······快乐的小baby
惊讶于影片中福建当地偷渡的盛行与公开，以至于仿佛成为了主流价值。那里总像是另外一群人，他们始终是面朝大海的。于是，同样是无从选择随波逐流，但青年人漂往了另一个方向。
偷渡
做为福建人。本来想给三星的。支持家乡事业给四星。拍得很零乱。表达的情感还是欠缺了点
年轻人正如随风荡漾的蒲苇~无法掌控自己的方向~在这片面朝大海的地方~一群人如此墨守着自己的方式~到此我真的累了~为追逐而累~也为停泊而累。。。
太地方了，演员不好。
一方水土一方人。宁欺田装装，莫欺少年穷，三分天注定，七分靠打拼，爱拼才会赢~
贾樟柯、侯孝贤，模仿痕迹太重了....
2007年最被忽略的独立电影