剧情介绍
北京城南的英子，到了台北城南，变成文坛不可或缺的“林先生”。
《两地》从林海音“双乡”的特殊身份切入，随着女儿夏祖丽娓娓道来的声线，走入她的书桌、生活圈、编辑台，特殊年代里的风声鹤唳与担当，以及那一块奋力开拓的纯文学园圃。也因为性格与文字里的广大与亲切，林海音的文学作品跨越时空，成为两岸人共有的阅读记忆。她是写作者的朋友，更是战后台湾文学从襁褓到成熟，那无私勇敢的母亲。 Home in Two Cities tells the story from the perspective of Lin Hai-yin's special background of having \"two homelands\". With the heartfelt narration from her daughter Julie Chang, we enter her life and see her desk, the editor's office, and how she fearlessly handled the challenges in that era of censorship and suppression; we set our feet in her garden of literature. Due to the inclusiveness and amiability of her personality and works, Lin Hai-yin's novels stand the test of time, becoming a common memory for cross-strait readers. She is not only a friend to writers, but also a selfless and audacious mother, safeguarding the post-war Taiwanese literature from infancy to adulthood. Lin Hai-yin (1918-2001) stood firmly against the political oppression when she was the editor of the literary page of the United Daily News, discovering promising writers, such as Lin Hwai-min, Qi Deng-Sheng, Huang Chun-ming, Zheng Qing-wen, and Zhong Li-ho. She also founded the Belles-Lettres Publishing House. Her living room was described as \"half a literary circle\", and she is always remembered respectably as \"Ms. Lin Hai-yin\". Her novel Memories of Peking: South Side Stories about her childhood when she lived in the south side of Beijing was published in 1960, and earned her a legendary status in the literary world.
《两地》从林海音“双乡”的特殊身份切入，随着女儿夏祖丽娓娓道来的声线，走入她的书桌、生活圈、编辑台，特殊年代里的风声鹤唳与担当，以及那一块奋力开拓的纯文学园圃。也因为性格与文字里的广大与亲切，林海音的文学作品跨越时空，成为两岸人共有的阅读记忆。她是写作者的朋友，更是战后台湾文学从襁褓到成熟，那无私勇敢的母亲。 Home in Two Cities tells the story from the perspective of Lin Hai-yin's special background of having \"two homelands\". With the heartfelt narration from her daughter Julie Chang, we enter her life and see her desk, the editor's office, and how she fearlessly handled the challenges in that era of censorship and suppression; we set our feet in her garden of literature. Due to the inclusiveness and amiability of her personality and works, Lin Hai-yin's novels stand the test of time, becoming a common memory for cross-strait readers. She is not only a friend to writers, but also a selfless and audacious mother, safeguarding the post-war Taiwanese literature from infancy to adulthood. Lin Hai-yin (1918-2001) stood firmly against the political oppression when she was the editor of the literary page of the United Daily News, discovering promising writers, such as Lin Hwai-min, Qi Deng-Sheng, Huang Chun-ming, Zheng Qing-wen, and Zhong Li-ho. She also founded the Belles-Lettres Publishing House. Her living room was described as \"half a literary circle\", and she is always remembered respectably as \"Ms. Lin Hai-yin\". Her novel Memories of Peking: South Side Stories about her childhood when she lived in the south side of Beijing was published in 1960, and earned her a legendary status in the literary world.
看过电影《城南旧事》，喜欢里面的童真和民国的味道。杨力州的纪录片《被遗忘的时光》曾让我感动得一塌糊涂，但这一部，只是中规中矩，当然，比一般的电视纪录片还是要好很多的。一直以为林海音只是一位出色的作家，看了纪录片才知道，她还是整个台湾文坛的重要推手。
长子跪谢
作为纪录片表现手法很平庸，所能表达的东西也很有限。但这个世界上确实有些人，他们的存在便足以告诉我们文学是非常值得去爱的东西。
好煽情啊！打高分的豆友，豆瓣猜你可能也会喜欢央10的《讲述》和《人物》。
片子本身很淡，没什么味道。结尾处用力煽，真是电视纪录片水准。不过林先生一生如此波澜壮阔，《城南旧事》我也很爱读，结局的那几句出来，还真被煽哭了。
我感兴趣倒是片子中一些老的国民党政府宣传片，尤其是国民党对文艺的钳制。（可能是跟在大陆文艺战线吃过大亏有关）台湾跟大陆何其相像，一丘之貉，谁也别笑谁。
某君看到某些画面激动起来，三枪毙掉
“一个人能做林海音为什么要做文化部长？”“没关系，台北就这么大嘛。……那也许是我写得还不错嘛，哈哈哈……”这是多费劲才凑够长度啊。
这些人每死一个，中国人的面貌就陌生一分。
人物是好人物，可是片子拍的实在是没亮点，无聊。。。
这导演最喜欢煽情，由衷地说也挺会煽情的。不知道他拍动物世界会拍成什么样子。
作品以动画的形式来被讲述是应该是这个系列的特色吧，但是这一部篇幅不大。不论怎样我还是觉得这部比寻找背海的人那部好太多。过份煽情，且刻意的煽情。三星。
长亭外，古道边， 芳草碧连天， 晚风拂柳笛声残， 夕阳山外山。 天之涯，地之角， 知交半零落。 一觚浊酒尽余欢， 今宵别梦寒
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长亭外，古道边。芳草连漫天~用语属于台湾省的林先生！