剧情介绍
1995年，爵士乐音乐家Barry Guy（钢琴）和Paul Plimley（贝司）在加拿大的Vancouver录制了一张有趣的专辑，专辑名为《感觉学（Sensology）》。灵动的音符，跳跃的节奏，以及意外之处的起承转合，让人不由得为止拍案叫绝。闭上眼睛，仿佛能看到旋律具化成鲜活的生命，摆动出充满活力的线条与身姿。而动画人Michel Gagné则将想象付诸实践，让《感觉学》真正有了可视化的模样。
这是一部充满意识流的实验动画，值得欣赏。 A short animated film that visualizes in abstract form, an improvised musical session by two leaders of the avant-guarde jazz movement, Paul Plimley (piano) and Barry Guy (bass).The music was recorded on November 9th, 1995, at the Western Front in Vancouver, Canada The film was started in August 2006 and completed in July 2010. Sensology was handdrawn (painted) with a Wacon tablet at first, and later, a Cintiq, using Adobe Photoshop. The drawings and frames were then composited and manipulated in a 2D software called Animo. There is no vector animation at any point in the film. The animation was done stream of consciousness, one frame at a time at a rate of 30 frames per second.
这是一部充满意识流的实验动画，值得欣赏。 A short animated film that visualizes in abstract form, an improvised musical session by two leaders of the avant-guarde jazz movement, Paul Plimley (piano) and Barry Guy (bass).The music was recorded on November 9th, 1995, at the Western Front in Vancouver, Canada The film was started in August 2006 and completed in July 2010. Sensology was handdrawn (painted) with a Wacon tablet at first, and later, a Cintiq, using Adobe Photoshop. The drawings and frames were then composited and manipulated in a 2D software called Animo. There is no vector animation at any point in the film. The animation was done stream of consciousness, one frame at a time at a rate of 30 frames per second.
很先锋很抽象很灵动，只是音乐为迎合短片而特意斧凿的痕迹太重了。
597 只感觉配乐刺耳
眼睛完全跟随这些线条游走啊！
挺好玩
冗长是肤浅的藻饰，简洁是智慧的灵魂。起初人物介绍有点让人没有耐心，边吃饼干边眯起眼准备点x的时候，忽然惊奇地发现了这部短片的精髓，原来恍惚的时候才是领悟的时候。理性思维停止运转的时候也正是欣赏它的好时候。你会在中后期发现这个简单短片背后的精要。
残羹剩饭，重复
几何图形
感觉有点聒噪...2011年第83届奥斯卡最佳动画短片提名十强入围
像個APP
哇啊！
给力
美國 2010
没啥感觉~
视觉音乐。。。
看得到的音乐。