剧情介绍
新导演乔吉欧费雷洛与费德利科必亚辛展现惊人的观察与想像力，将工业的粗糙化为绝美画面，尖锐的撞击融为调和的旋律，将放弃逃离的无奈与叹息，化为一节奏强劲的生命进行曲。
德州，鑽油井日夜运作不休，一人作业，造福千万人口；海上，无数货柜堆满船隻，一人管理，将生活需求送往世界。工业化带来的缩减人力，让这些男子如僧侣般在机械与尘土间踽踽独行，渺小又孤独，却是供应日常所需的第一线推手。在这暴饮暴食的拜物世代，容易取得的资源养大世界的胃口，过度消费与浪费齐头并进，噪音充塞每一分寸，人们早已不再倾听内心，更遑论叩问良心。 Life as it happens - the film's tag line - says it all. This slice-of-life film is a meditation on love and happiness. Schola and Gabe are two young artists (she an actress and he a filmmaker) struggling to make some inroads into their respective careers, while working to bring an end to the loneliness they feel as single adults in a big city. Schola and Gabe eventually cross paths on a subway train, and soon begin an instructive, romantic relationship. The film takes us through various stages of the relationship and is divided into four appropriately-labeled chapters, indicating the four stages of a relationship - from the first meeting, to the early novelty phase, continuing on as the novelty wears off and potential problems set in, and ending with a matter of choice of whether to continue on or to separate. Long contemplative shots follow the two characters as they live and grow, alone and together. The startling black and white grainy digital video photography of the film enhances...
德州，鑽油井日夜运作不休，一人作业，造福千万人口；海上，无数货柜堆满船隻，一人管理，将生活需求送往世界。工业化带来的缩减人力，让这些男子如僧侣般在机械与尘土间踽踽独行，渺小又孤独，却是供应日常所需的第一线推手。在这暴饮暴食的拜物世代，容易取得的资源养大世界的胃口，过度消费与浪费齐头并进，噪音充塞每一分寸，人们早已不再倾听内心，更遑论叩问良心。 Life as it happens - the film's tag line - says it all. This slice-of-life film is a meditation on love and happiness. Schola and Gabe are two young artists (she an actress and he a filmmaker) struggling to make some inroads into their respective careers, while working to bring an end to the loneliness they feel as single adults in a big city. Schola and Gabe eventually cross paths on a subway train, and soon begin an instructive, romantic relationship. The film takes us through various stages of the relationship and is divided into four appropriately-labeled chapters, indicating the four stages of a relationship - from the first meeting, to the early novelty phase, continuing on as the novelty wears off and potential problems set in, and ending with a matter of choice of whether to continue on or to separate. Long contemplative shots follow the two characters as they live and grow, alone and together. The startling black and white grainy digital video photography of the film enhances...
打开的时候没料到是这种极具风格化的影片，看完纯粹都是因为视听.音效影响深刻但是还是太无聊了，又ppt.
标准的实验性影像，视听效果和剪辑镜头都十足优秀，给人观感很不错。四个最孤独的人，却从事着最美好的事业，化腐朽为神奇的力量，维持着这个世界的运行。尤其是用最朴实无华的基本音调打造出交响曲的效果，着实震撼。
绝对是画面 声效 音乐的高端之作！
new age doc
首先，这部作品是有成为佳作的潜质的，如果导演的风格可以再成熟一点的话。虽然观感跟我预期的有很大偏差，我预期是一部忧郁气氛的电影，但显然导演觉得寂静也可以美好，阴郁也可以狂欢。背景的电子乐与环境意外地融合的很好，而且在最后十几分钟占据了电影，导致我觉得有点像看艺术形MV的感觉。有五段故事，我觉得每段故事的切入方式有点缺乏新意，也不是不好。不过最后的联动方式挺过瘾的，DISCO IS COMING BACK!
三星半。
影像到底该 何去何从？
某大国的有钱人有勇气投资这种纪录片嘛？
更适合做成一部实验性音乐幕后纪录片，与此同时导演又很想糅合进很多社会问题，能感受到诚意和愿望，但不够火候，有点割裂，也不太符合我对“电影”的期待。
#WeAreOne 很好看很enjoyable。问题的确是摆拍和scripting是一定会削减力度的。最后十五分钟祭出合成器looper，老虎机和当代舞，整个变成了当代艺术showcase。要记录那四位的孤独，隐忍和牺牲，却让他们念大量诗句般时而意义不明的台词，结果最大观感是他们的生活工作环境如同奇观一般很美——眼光犀利的艺术家当然能拍出stunning, breath taking images, like the 2015 film Manifesto，但是不是本末倒置了。我还是觉得艺术家要探讨社会议题还是亲民些比较好，本意是要批判消费社会的video essay变得重影像而轻系统性反思，那自己又何尝不是成为了景观的一部分。
啊...躲懒没看完，过时下架了...觉得这很难归类到纪录片吧，不过工业环境里的击打乐合奏真的挺好听的，没听到最后那个交响乐很可惜。在电影院里看应该会睡得很香...#WeAreOne 6.10
算docufiction吧。beautiful things是浮在表面的题目，剥开以摄影和配乐精心包裹的美丽外衣，ugly reality of capitalism and consumptionism显而易见，这种设置本身就是对现实的反讽。渺小的个体身处平原、海上、密闭空间中，成为制造-运输-消费-处理流水线上的一份子，一起狂欢，一起孤独。被剪辑和原声惊艳到，最后20分钟可以反复刷。Youtube限时放送，4K分辨率感人。
#WeAreOne2020 现代全球化与古典电子乐 Giloo
相比《缓缓前行的老货轮》，有些太聒噪了。
音画配合得最精彩的两处，1:20:21－1:26:26 消音室大哥母亲的红色大提琴 幽暗走廊的婚纱 烟雾缭绕中橙色闪光机器；1:28:28-1:33:33 结尾 四位大哥的微笑，在商场狂舞的情侣。 次好一点的就是开头石油机器那段，当代西西弗斯神话。绝大多数时间在形而上的美。音乐非常好，绝壁是嗑了药的人写出来的。适合帮Rüfüs Du Sol拍MV。何必整成1.5小时的纪录片呢？大段大段大段独白和看得出舍不得剪掉的镜头过于拉长拉低了刺点浓度。