剧情介绍
1989年12月6日，加拿大东南部港口城市蒙特利尔为白雪所覆盖，肃杀阴冷的气候仿佛预示着一场悲剧即将降临。面目清秀却布满阴翳的青年（马克西姆·戈德特 Maxim Gaudette 饰），驾驶汽车来到魁北克理工学院。校园内，青年男女自由交谈，畅想未来，殊不知死神的脚步正在迫近。青年拎着枪走入校园，他将愤恨的子弹射向那些所谓的女权主义者。白雪为鲜血染红，霎那即为永恒……
本片根据真实事件改编，并荣获2010年加拿大吉尼奖最佳摄影、最佳导演、最佳剪辑、最佳影片、最佳男配角、最佳女主角等7项大奖；2009年多伦多影评人协会最佳加拿大影片奖。 On December 6, 1989, a lone gunman walked into Montréal's École Polytechnique, a post-secondary institution focusing primarily in engineering, and began a shooting massacre. This event and its aftermath are shown from the perspective of three people. The first is the shooter himself, who blamed the problems in his life on who he considered feminists, such as female engineering students, who were his primary targets. This event was the culmination of a seven year plan, which had a self-defined end. The second is female mechanical engineering student Valérie, who earlier that day had an interview for her dream internship, working on an aerospace project. The interview process itself was a disturbing one for her in the stereotypical view by the male interviewer, who did not believe that females could work in the business and still have aspirations to have a family. And the third is Jean-François, Valérie's friend and fellow mechanical engineering student, who was one of the few who did whatever he could to help the targeted women.
本片根据真实事件改编，并荣获2010年加拿大吉尼奖最佳摄影、最佳导演、最佳剪辑、最佳影片、最佳男配角、最佳女主角等7项大奖；2009年多伦多影评人协会最佳加拿大影片奖。 On December 6, 1989, a lone gunman walked into Montréal's École Polytechnique, a post-secondary institution focusing primarily in engineering, and began a shooting massacre. This event and its aftermath are shown from the perspective of three people. The first is the shooter himself, who blamed the problems in his life on who he considered feminists, such as female engineering students, who were his primary targets. This event was the culmination of a seven year plan, which had a self-defined end. The second is female mechanical engineering student Valérie, who earlier that day had an interview for her dream internship, working on an aerospace project. The interview process itself was a disturbing one for her in the stereotypical view by the male interviewer, who did not believe that females could work in the business and still have aspirations to have a family. And the third is Jean-François, Valérie's friend and fellow mechanical engineering student, who was one of the few who did whatever he could to help the targeted women.
一气呵成
像是一部精炼的习作，简单直白
一场校园枪击案反映出的是一个逐渐从有序到无序的系统，这个系统被仇恨和偏见逐步撕裂，直至混乱，看完留下的是深深的胆寒和绝望。
拍法级烂……浪费题材
失序，黑白，维伦纽瓦极擅长挖掘个人内心戏，然而群像戏部分略显刻板，配乐的克制十分勾人，开头和结尾均相当震撼
89年发生的仇恨女权的校园枪击案，09年拍的电影，我在23年看。四十年过去了，女权的意义好像天翻地覆，好像什么都没变，又好像变成了另一种极端。维伦纽瓦早期出名的几部电影我并不喜欢，倒是最近的几部让我慢慢开始喜欢他那种一阵冷风过境般的空旷感，倒回来看更早期的作品，竟然适应良好，真的很神奇，就这种冷峻的观察视觉挺有感的，但电影总体对我来说总觉得哪缺口气，也许风格上的冷峻挺舒适，但这个主题在因果上的缺乏会让我情感上不太能接受。
前段中段非常喜欢 结尾属实没必要
对称性：首尾行凶者&受害者写信独白；截然不同的两位男生，歧视女性的行凶者&关怀女性，自责没能阻止灾难的Jeff。蒙特利尔冷峻冰雪覆盖的城市、隐忍焦虑的人物，打碎常规叙事，切换不同视点去直视这场屠杀。想看维伦纽瓦拍加拿大的破案剧，凉飕冰冷的环境出现罪案肯定好看。
有一些在模仿《大象》的痕迹，比较突出的是维伦纽瓦的影像风格
这是对1989年发生在加拿大的一场校园枪击案的简单复述，仅此而已。
冷静但又热烈。
没啥意思啊，说是维伦纽瓦拍的女权片儿也够不上，“黑白摄影的目的更加明确：剥离颜色所带来的暴力性”
畫面強、敘事弱，坦白說不是一個「好看」的電影，情節很空泛，如果只有畫面沒台詞做成默片感覺會好上幾倍，這種電影就應該專注在畫面的表達上，完全交由畫面來主導
风格化的情绪和合理的结构编排富于悬念紧绷
结尾有点败笔