剧情介绍
几个月以后又有一名叫津云半四郎(仲代达矢饰)的老浪人前来要求借井伊家宝地切腹自杀。其原因也是不堪生活的困苦,井伊家老(三国连太郎饰)出面。在切腹之前,津云要求讲下自己这辈子的故事…… Peace in 17th-century Japan causes the Shogunate's breakup of warrior clans, throwing thousands of samurai out of work and into poverty. An honorable end to such fate under the samurai code is ritual suicide, or hara-kiri (self-inflicted disembowelment). An elder warrior, Hanshiro Tsugumo (Tatsuya Nakadai) seeks admittance to the house of a feudal lord to commit the act. There, he learns of the fate of his son-in-law, a young samurai who sought work at the house but was instead barbarically forced to commit traditional hara-kiri in an excruciating manner with a dull bamboo blade. In flashbacks the samurai tells the tragic story of his son-in-law, and how he was forced to sell his real sword to support his sick wife and child. Tsugumo thus sets in motion a tense showdown of revenge against the house.
9/10 历史不过是胜利者的谎言罢了
家家都有难念的经
时下卖卜者放弃了躺在海边沙滩椅上,若"春江潮水连海平,海上明月共潮生。滟滟随波千万里,何处春江无月明"的山珍海错、增财晋爵机会,选择居家抢菜,度"千门闭秋景,万姓危朝霜。应念覆盆下,雪泣拜天光。"般顺偕自然、清心寡欲日子。大师们果然高深莫测、境界超凡!其中视名誉如片中浪人者请勿冲动,可私信本人。
小林真是宝藏导演
“话语即权力”
完美的节奏和画面
散落的盔甲又被粉刷,重新供奉了起来
太强了
黑白的镜头,旁白慢慢的讲述。镜头有种对称美感。
用平淡的语气讲述悲惨的经历,结尾有力道。
几十年前就有这样的好片了,在技术落后的年代,更加依托于好的故事,去阐述深意。 曾经的武士道精神,或许就像片尾摔的稀巴烂的盔甲一样,虽然被修复了,但也只是个空客罢了
影片前部分,相信很多人都认为千千岩求女是个摒弃武士精神的人。通过这些行为去判断他、鄙视他。满满,深入了解,竟对她感到深深同情,并觉得他才是真正有武士精神的人。道德不应该是一种形式。人也不应该用形式去判断一个人
5.1 拜托,日本人说话真的很慢诶!!!你们在扭扭捏捏干嘛呢!?
太经典了。
非常精妙的一部作品。